Shot on BMPCC 6K Pro with Nanlite fixtures and colored gels to create a playful, cinematic look.
Strong color contrasts and dynamic lighting were used to match the film’s energetic tone.
Strong color contrasts and dynamic lighting were used to match the film’s energetic tone.
With very limited time, I optimized the lighting setup to achieve the desired look on set and minimize post-production adjustments.
Forza 300b II was quite always the key light, softened with a silk. We used cto and ctb to achieve cool and warm tones. Pavotube was used as rgb fixture to achieve red, green colors and also as fill. We used a fresnel for some light streaks and to bounce the beam on a white board. Everything was shot in 6k braw q3.
Directed by karin Maltempo
